NEW YORK — Bill Moyers, the former White House press secretary who became one of television’s most honored journalists, masterfully using a visual medium to illuminate a world of ideas, died Thursday at age 91.
Moyer died in a New York City hospital, according to longtime friend Tom Johnson, the former CEO of CNN and an assistant to Moyers during Lyndon B. Johnson’s administration. He did not cite Moyers’ cause of death.
Moyer’s career ranged from youthful Baptist minister to deputy director of the Peace Corps, from Johnson’s press secretary to newspaper publisher, senior news analyst for “The CBS Evening News” and chief correspondent for “CBS Reports.”
But it was for public television that Moyers produced some of TV’s most cerebral and provocative series. In hundreds of hours of PBS programs, he proved at home with subjects ranging from government corruption to modern dance, from drug addiction to media consolidation, from religion to environmental abuse.
In 1988, Moyers produced “The Secret Government” about the Iran-Contra scandal during the Reagan administration and simultaneously published a book under the same name. Around that time, he galvanized viewers with “Joseph Campbell and the Power of Myth,” a series of six one-hour interviews with the prominent religious scholar. The accompanying book became a best-seller.
His televised chats with poet Robert Bly almost single-handedly launched the 1990s Men’s Movement, and his 1993 series “Healing and the Mind” had a profound impact on the medical community and on medical education.
In a medium that supposedly abhors “talking heads” — shots of subject and interviewer talking — Moyers came to specialize in just that. He once explained why: “The question is, are the talking heads thinking minds and thinking people? Are they interesting to watch? I think the most fascinating production value is the human face.”
Demonstrating what someone called “a soft, probing style” in the native Texas accent he never lost, Moyers was a humanist who investigated the world with a calm, reasoned perspective, whatever the subject.
From some quarters, he was blasted as a liberal thanks to his links with Johnson and public television, as well as his no-holds-barred approach to investigative journalism. It was a label he didn’t necessarily deny.
“I’m an old-fashion liberal when it comes to being open and being interested in other people’s ideas,” he said during a 2004 radio interview. But Moyers preferred to term himself a “citizen journalist” operating independently, outside the establishment.
Public television (and his self-financed production company) gave him free rein to throw “the conversation of democracy open to all comers,” he said in a 2007 interview with The Associated Press.
“I think my peers in commercial television are talented and devoted journalists,” he said another time, “but they’ve chosen to work in a corporate mainstream that trims their talent to fit the corporate nature of American life. And you do not get rewarded for telling the hard truths about America in a profit-seeking environment.”
Over the years, Moyers was showered with honors, including more than 30 Emmys, 11 George Foster Peabody awards, three George Polks and, twice, the Alfred I. duPont-Columbia University Gold Baton Award for career excellence in broadcast journalism. In 1995, he was inducted into the Television Hall of Fame.
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AP writer Dave Bauder and Former Associated Press writer Robert Monroe contributed to this report. Moore retired from the AP in 2017.
